翻訳と辞書
Words near each other
・ Jean-Baptiste Mougeot
・ Jean-Baptiste Muard
・ Jean-Baptiste Mugiraneza
・ Jean-Baptiste Muiron
・ Jean-Baptiste Natama
・ Jean-Baptiste Nicolas Roch de Ramezay
・ Jean-Baptiste Nicolet
・ Jean-Baptiste Nothomb
・ Jean-Baptiste Nouganga
・ Jean-Baptiste Noulet
・ Jean-Baptiste Oudry
・ Jean-Baptiste Ouédraogo
・ Jean-Baptiste Pallegoix
・ Jean-Baptiste Pastor
・ Jean-Baptiste Pastré
Jean-Baptiste Pater
・ Jean-Baptiste Paternotte
・ Jean-Baptiste Paulin Guérin
・ Jean-Baptiste Perlant
・ Jean-Baptiste Perrier
・ Jean-Baptiste Perronneau
・ Jean-Baptiste Perrée
・ Jean-Baptiste Peyras-Loustalet
・ Jean-Baptiste Philibert Vaillant
・ Jean-Baptiste Philibert Willaumez
・ Jean-Baptiste Pierazzi
・ Jean-Baptiste Pigalle
・ Jean-Baptiste Pillement
・ Jean-Baptiste Piron
・ Jean-Baptiste Pitois


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Jean-Baptiste Pater : ウィキペディア英語版
Jean-Baptiste Pater

Jean-Baptiste Pater (December 29, 1695 – July 25, 1736) was a French rococo painter.
Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Académie in 1728, presenting a large military work in the popular Watteau style - ''La Rejouissance des Soldats'' (Louvre).
Pater adopted the popular Fête galante subject matter, heavily imitating his teacher Watteau, indeed he directly copied some of his figures. Pater used a traditional Rococo pastel palette. His most characteristic difference in style from other artists of the time surrounded his use of shimmering lines. His most prominent customer was Frederick the Great, who sat for two portraits in the "Turquerie" style: ''LeSultan au Harem'' and ''Le Sultan au Jardin''. One of Pater's most renowned works is ''Landscape with a Cart'' (Schloss Charlottenburg), which is considered to display a feathery application of paint that anticipates Francesco Guardi. The delicately constructed subject matter and figures subordination to the buildings represent a movement away from fête galante, however this development was cut short by Pater's death in 1736.〔
== References ==

*28



抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Jean-Baptiste Pater」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.